STOP 1
Introduction
Gallery 1
Welcome to French Moderns
Senior Curator Michael Neumeister welcomes you to French Moderns: Monet to Matisse, 1850 – 1950.
STOP 2
Jean-Baptiste-Camille Corot, Ville d’Avray
Gallery 1
Breaking From History Paintings
Curator of Education Glenna Barlow gives insight on the art world of France in the mid-19th century, the influence of the Royal Academy of Art, and how Barbizon School artists like Corot helped pave the way for Impressionism.
Hear a verbal description of the piece here.
Image: Detail, Jean-Baptiste-Camille Corot (French, 1796–1875). Ville d'Avray, 1865. Oil on canvas. Brooklyn Museum, Gift of Charlotte R. Stillman. (Photo: Brooklyn Museum)
STOP 3
Raoul Dufy, The Regatta (Les Régates)
Gallery 2
A Product of His Time
Glenna Barlow reflects on the era of the Belle Époque in Paris, the influence of Fauvism in Dufy’s painting, and why embracing pleasure and beauty can be transformative.
Hear a verbal description of the piece here.
Image: Gallery installation image photographed at the Columbia Museum of Art.
STOP 4
Odilon Redon, Jacob Wrestling with the Angel (La Lutte de Jacob avec l'Ange)
Gallery 2
Seizing the Mystery and Mysticism
Michael Neumeister recounts the biblical story presented in this painting, how Redon interpreted this scene, and how the artist was inspired by Eugène Delacroix’s depiction of this event (image below).
Hear a verbal description of the piece here.
Image: Detail, Odilon Redon (French, 1840–1916). Jacob Wrestling with the Angel (La Lutte de Jacob avec l'Ange), ca. 1905-1910. Oil on canvas. Brooklyn Museum, Bequest of Alexander M. Bing. (Photo: Brooklyn Museum)
Jacob Wrestling with the Angel
Eugène Delacroix
1850
STOP 5
Jean-Léon Gérôme, The Carpet Merchant of Cairo
Gallery 4
Western Orientalism
Glenna Barlow describes the West’s fascination with and stereotypes of cultures of the Middle and Far East that informed paintings like Gérôme’s The Carpet Merchant of Cairo.
Hear a verbal description of the piece here.
Image: Detail, Jean-Léon Gérôme (French, 1824–1904). The Carpet Merchant of Cairo, 1869. Oil on canvas. Brooklyn Museum, Gift of Joseph Gluck. (Photo courtesy of Brooklyn Museum)
Sabil-Kuttab of Abd al-Rahman Katkhuda, Cairo
2012
Archival image of Sabil-Kuttab of Abd al-Rahman Katkhuda, Cairo, from the 19th century via the Victoria and Albert Museum website.
STOP 6
Chaim Soutine, Still Life, Gladiolas
Gallery 4
Raw Emotional Content
Michael Neumeister details Soutine’s interest in gladiolas as a subject, his use of expressive brushwork, and his tragic life story.
Hear a verbal description of the piece here.
Image: Gallery installation image photographed at the Columbia Museum of Art.
See Chaim Soutine's Carcass of Beef (1926) via the Minneapolis Institute of Art’s website.
STOP 7
Auguste Rodin, Balzac in a Monk’s Habit
Gallery 6
Depicting Subjects Authentically
Glenna Barlow describes Rodin’s dedicated efforts to create an authentic representation of famed novelist and playwright Honoré de Balzac and recounts the criticisms and openly hostile public reception of this sculpture in its time.
Hear a verbal description of the piece here.
Image: Detail, Auguste Rodin (French, 1840–1917) Balzac in a Monk's Habit, ca. 1893; cast 1971. Bronze. Brooklyn Museum, Gift of the Iris and B. Gerald Cantor Foundation. Cast by Georges Rudier Fondeur, Paris. (Photo: Brooklyn Museum)
STOP 8
Édouard Vuillard, Portrait of Thadée Natanson
Gallery 6
Allusions to Identity
Michael Neumeister analyzes the subtle symbolism in this painting, evoking the status and background of the sitter.
Hear a verbal description of the piece here.
Image: Gallery installation image photographed at the Columbia Museum of Art.
Photograph of Jewish military officer Alfred Dreyfus
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Sponsors
Bronze Sponsors
Barbara B. Boyd; Patricia L. Beckler; Myrtle T. Robinson
Benefactors
Joseph Bruce; Suzanne and Robert Clawson; Nelson Mullins Riley and Scarborough; Dr. Suzanne R. Thorpe and Dr. John W. Baynes
Friends
Dr. and Mrs. Roger A. Blau; Linda and Michael Edwards; Dr. Carolyn Kressler-Greenberg and Dr. Stanley Greenberg; John and Mary Kessler; Eric McKenzie; Metro Wines Asheville; Ginny Newell; Margo Newton; Sarah and Albert Reed; Walda C. Wildman