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Introduction

Gallery 1
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Welcome to French Moderns

Senior Curator Michael Neumeister welcomes you to French Moderns: Monet to Matisse, 1850 – 1950.

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Jean-Baptiste-Camille Corot, Ville d’Avray

Gallery 1
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Breaking From History Paintings

Curator of Education Glenna Barlow gives insight on the art world of France in the mid-19th century, the influence of the Royal Academy of Art, and how Barbizon School artists like Corot helped pave the way for Impressionism.

Hear a verbal description of the piece here.
 

Image: Detail, Jean-Baptiste-Camille Corot (French, 1796–1875). Ville d'Avray, 1865. Oil on canvas. Brooklyn Museum, Gift of Charlotte R. Stillman. (Photo: Brooklyn Museum)

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Raoul Dufy, The Regatta (Les Régates)

Gallery 2
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A Product of His Time

Glenna Barlow reflects on the era of the Belle Époque in Paris, the influence of Fauvism in Dufy’s painting, and why embracing pleasure and beauty can be transformative.

Hear a verbal description of the piece here.

Image: Gallery installation image photographed at the Columbia Museum of Art.

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Odilon Redon, Jacob Wrestling with the Angel (La Lutte de Jacob avec l'Ange)

Gallery 2
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Seizing the Mystery and Mysticism

Michael Neumeister recounts the biblical story presented in this painting, how Redon interpreted this scene, and how the artist was inspired by Eugène Delacroix’s depiction of this event (image below).

Hear a verbal description of the piece here.

Image: Detail, Odilon Redon (French, 1840–1916). Jacob Wrestling with the Angel (La Lutte de Jacob avec l'Ange), ca. 1905-1910. Oil on canvas. Brooklyn Museum, Bequest of Alexander M. Bing. (Photo: Brooklyn Museum)

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Jacob Wrestling with the Angel

Eugène Delacroix

1850

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Jean-Léon Gérôme, The Carpet Merchant of Cairo

Gallery 4
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Western Orientalism

Glenna Barlow describes the West’s fascination with and stereotypes of cultures of the Middle and Far East that informed paintings like Gérôme’s The Carpet Merchant of Cairo.

Hear a verbal description of the piece here.

Image: Detail, Jean-Léon Gérôme (French, 1824–1904). The Carpet Merchant of Cairo, 1869. Oil on canvas. Brooklyn Museum, Gift of Joseph Gluck. (Photo courtesy of Brooklyn Museum)

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Sabil-Kuttab of Abd al-Rahman Katkhuda, Cairo

2012

Archival image of Sabil-Kuttab of Abd al-Rahman Katkhuda, Cairo, from the 19th century via the Victoria and Albert Museum website.

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Chaim Soutine, Still Life, Gladiolas

Gallery 4
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Raw Emotional Content

Michael Neumeister details Soutine’s interest in gladiolas as a subject, his use of expressive brushwork, and his tragic life story.

Hear a verbal description of the piece here.

Image: Gallery installation image photographed at the Columbia Museum of Art.

See Chaim Soutine's Carcass of Beef (1926) via the Minneapolis Institute of Art’s website.

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Auguste Rodin, Balzac in a Monk’s Habit

Gallery 6
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Depicting Subjects Authentically

Glenna Barlow describes Rodin’s dedicated efforts to create an authentic representation of famed novelist and playwright Honoré de Balzac and recounts the criticisms and openly hostile public reception of this sculpture in its time.

Hear a verbal description of the piece here.

Image: Detail, Auguste Rodin (French, 1840–1917) Balzac in a Monk's Habit, ca. 1893; cast 1971. Bronze. Brooklyn Museum, Gift of the Iris and B. Gerald Cantor Foundation. Cast by Georges Rudier Fondeur, Paris. (Photo: Brooklyn Museum)

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Édouard Vuillard, Portrait of Thadée Natanson

Gallery 6
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Allusions to Identity

Michael Neumeister analyzes the subtle symbolism in this painting, evoking the status and background of the sitter.  

Hear a verbal description of the piece here.

Image: Gallery installation image photographed at the Columbia Museum of Art.

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Photograph of Jewish military officer Alfred Dreyfus

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